Las óleos de todo Panini, Giovanni Paolo
ID Image  Painting (From A to Z)       Details 
72441  
Panini, Giovanni Paolo, Adoration of the Shepherds
  		 Adoration of the Shepherds   Date ca. 1755(1755) Medium Oil on canvas Dimensions 96.5 X 73.3 cm (37.99 X 28.86 in) cyf
19759  
Panini, Giovanni Paolo, Departure of Duc de Choiseul from the Piazza di St. Pietro
  		 Departure of Duc de Choiseul from the Piazza di St. Pietro   1754 Oil on canvas Gemäldegalerie, Berlin.
19758  
Panini, Giovanni Paolo, Interior of a Picture Gallery with the Collection of Cardinal Gonzaga
  		 Interior of a Picture Gallery with the Collection of Cardinal Gonzaga   1749 Oil on canvas Wadsworth Atheneum, Hartford, CT.
19756  
Panini, Giovanni Paolo, Interior of Saint Peter's, Rome
  		 Interior of Saint Peter's, Rome   1746-54 Oil on canvas National Gallery of Art, Washington D.C.
19755  
Panini, Giovanni Paolo, Roman Ruins with Figures
  		 Roman Ruins with Figures   1730 Oil on canvas National Gallery, London.
19753  
Panini, Giovanni Paolo, Ruins with Scene of the Apostle Paul Preaching
  		 Ruins with Scene of the Apostle Paul Preaching   1744 Oil on canvas The Hermitage, St. Petersburg.
28439  
Panini, Giovanni Paolo, Ruins with Scene of the Apostle Paul Preaching
  		 Ruins with Scene of the Apostle Paul Preaching   mk60 1744 Oil on cnavas 25x33"
19754  
Panini, Giovanni Paolo, The Plaza and Church of St. Maria Maggiore
  		 The Plaza and Church of St. Maria Maggiore   1744 Oil on canvas
19757  
Panini, Giovanni Paolo, View of Rome from Mt. Mario, In the Southeast
  		 View of Rome from Mt. Mario, In the Southeast   1749 Oil on canvas Gemäldegalerie, Berlin.
Panini, Giovanni Paolo
Italian Neoclassical Painter, ca.1691-1765 Italian painter, architect and stage designer. He was a highly prolific and versatile painter, best known for his numerous vedute of Rome, many of which focused on the remnants of the city's Classical past. Ceremonies and festivals often feature in his vedute, which thus constitute a lively documentation of contemporary topography, lifestyle and customs. In contrast to Bernardo Bellotto and Gaspar van Wittel, his treatment is picturesque rather than rigorous; he liked to enliven and animate his views by adding numerous figures. He worked exclusively in Rome and by the end of his career was the head of a thriving workshop that included the Frenchman Hubert Robert (in Rome from 1754) and Panini's son Francesco Panini (b 1738).



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